福州三坊七巷導游詞講解

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在日常學習、工作或生活中，大家總少不了接觸作文或者范文吧，通過文章可以把我們那些零零散散的思想，聚集在一塊。相信許多人會覺得范文很難寫？以下是小編為大家收集的優秀范文，歡迎大家分享閱讀。

福州三坊七巷導游詞講解篇一

sanfangqixiang is located in the center of the city. it is adjacent tobay17 north road in the east, tonghu road in the west, yangqiao road in thenorth, jibi lane and guanglu square in the south. it covers an area of about 40hectares and has 3678 households with a population of more than 14000. threelanes and seven alleys are the abbreviation of ten alleys arranged from north tosouth on both sides of nanhou street. three lanes are yijin lane, wenru lane andguanglu lane; seven lanes are yangqiao lane, langguan lane, ta lane, huang lane,anmin lane, gong lane and jibi lane. due to the reconstruction of jibi lane,yangqiao lane and guanglu lane into roads, only two lanes and five lanes arepreserved. even so, in this residential area with a long history, there arestill rich cultural relics and historic sites, including a number of formerresidences of celebrities and buildings of ming and qing dynasties. in thisresidential area, there are many lanes, stone slabs, white walls and greentiles, strict structure, exquisite houses and ingenious craftsmanship, whichembody the characteristics of minyue ancient city. it is a gathering place ofminjiang culture, and is regarded as a large-scale museum of ming and qingancient architecture by the architectural circles.

"three lanes and seven alleys" is the main symbol of fuzhou, a nationalhistorical and cultural city, and is known as the museum of ancient architecturein ming and qing dynasties. chen yan, a modern poet, said: "who knows that thefive willows are solitary pines, but they live in three lanes and seven alleys."this is about the origin of "three lanes and seven alleys".

the folk customs of the three lanes and seven alleys are also therepresentative of the folk customs in fuzhou. many festival activities are oftencentered on the three lanes and seven alleys, including folk beliefs, festivalactivities at the age of, folk customs in buildings, etc.

"moonlight shines on the pond; riding a bamboo horse across the pond; it'shard to cross the depth of the pond. wait for my sister to take a boat to meetlang. ask long lang, short lang, when will lang return? "this is a folk songwritten by chang gung, the observation envoy of the tang dynasty. it has broughtmany childhood memories to generations of people living in three lanes and sevenalleys. until now, especially the older generation is still excited to hear thiscatchy folk song.

three lanes and seven lanes are famous for its nearly 300 ancientresidential buildings in ming and qing dynasties. the ancient streets, completelanes, ancient rivers, ancient bridges and ancient banyan trees have formed asimple and distinctive traditional style, which has aroused the wide interest ofmany experts in cultural relics and archaeology at home and abroad, and hasbecome a must for tourists to come to fuzhou. it can be said that it is "rare inthe whole country, only in jiangnan". the three lanes and seven alleys ofoverseas chinese in fuzhou are their haunted and unforgettable hometown.

福州三坊七巷導游詞講解篇二

hello, i'm your guide, xiao gu. first of all, xiao gu, on behalf of thepeople of fuzhou, welcomes you. today, xiao gu will take you to visit threelanes and seven alleys, the ancient architectural treasures of ming and qingdynasties in fuzhou.

"three lanes and seven alleys" is the main symbol of fuzhou, a famoushistorical and cultural city of china. it is known as the museum of ancientarchitecture of ming and qing dynasties. chen yan, a modern poet, said: "whoknows that the five willows are solitary pines, but they live in three lanes andseven alleys." this is about the origin of "three lanes and seven alleys".

the folk customs of three lanes and seven alleys are also therepresentative of fuzhou folk customs. many festival and custom centers areoften concentrated in three lanes and seven alleys, which include folk beliefs,festival activities at the age of, folk customs in buildings, etc.

well, our journey of three lanes and seven alleys is coming to an , you can move freely for one hour. you can walk around and have a look. ifyou have any questions, you are welcome to come and ask me. gu must knoweverything!

福州三坊七巷導游詞講解篇三

first of all, on behalf of all the staff of sunshine travel agency, i wouldlike to extend a warm welcome to you. at the same time, i would like to thankyou for your support and trust in our travel agency. my name is __x. i'm a tourguide of sunshine travel agency. you can call me __. this is our team driver,master liu, who has rich driving experience. i believe you will feel comfortableand safe on your journey. today, i feel very honored to be our tour guide and toknow so many friends. if you have any difficulties and requirements during thejourney, please put forward them in time, and i will try my best to serve you. ialso hope that you can actively support and cooperate with my work. here i wishyou a happy journey! you can come with joy and return with satisfaction.

today, we are going to visit the "three lanes and seven alleys" which is alandmark of fuzhou, a national historical and cultural city. the three lanes andseven alleys are also known as "living fossil of the city square system" and"architectural museum of ming and qing dynasties". in the first "selection ofchina's top ten historical and cultural blocks" announced in june 20__, sanfangqixiang historical and cultural block, beijing guozijian street, pingyao southstreet, harbin central street, etc. jointly participated in the election, andwon the honorary title of "china's top ten historical and cultural blocks"awarded by the ministry of culture and the state administration of culturalrelics with the highest votes.

today's "three lanes and seven alleys" is located in the center of fuzhoucity, adjacent to bay17 north road in the east, tonghu road in the west,yangqiao road in the north, jibi lane and guanglu square in the south, coveringan area of about 40 hectares. "three lanes" are: yijin lane, wenru lane andguanglu lane; "seven lanes" are: yangqiao lane, langguan lane, anmin lane, huanglane, ta lane, gong lane and jibi lane. with nanhou street as the central axis,they are arranged orderly from north to south, forming a "checkerboard" patternof traditional streets and lanes. in the process of urban change, jibi lane,yangqiao lane and guanglu lane were transformed into roads. therefore, when wetalk about three lanes and seven lanes today, there are actually only two lanesand five lanes. our car has arrived at the gate of nanhou street. now pleasetake your belongings and follow me to visit.

now we come to langguan lane. this is ermei bookstore, which is now fujianfolk custom museum. let's go inside. there's a threshold. be careful.

do you see the gold cloud on the hall? why is it gold? because most of thehouses in ancient times were made of wood, so there were many fires. in the fiveelements, gold generates water and water conquers fire, so the gold decorationhas the meaning of fire prevention. there is a hut on the left side of the you know the relationship of the three people in the picture? there are threegenerations here. this originated from the representative "aojiu festival" infuzhou filial piety culture. aojiu festival is also known as the later ninefestival, xiaojiu festival and send poor festival. that is to say, on february29 of the first month, the married daughter will bring cakes made of glutinousrice, brown sugar, peanuts and water chestnuts home to visit her parents fortheir parents' safety.

now let's go to the lacquer gold steamed bun box on the table in the you know what it is used for? it seems that no one can tell. it's asacrificial item. in ancient times, only officials could use this rectangularsteamed bun box, but ordinary people couldn't use it.

if the light pole is on the inside of the central pillar, it means that theowner's business is developing locally; if the light pole is on the outside ofthe central pillar, it means that the owner's business is developing abroad. infujian dialect, deng and ding are homonymous, so there are several light poleson the beam, which means that the family has several sons. you can see thatthere are three light poles on it, which means that the owner of the house hasthree or more sons.

now we come to the back of the hall, which was put in women's boudoir inancient times to worship their ancestors. you can see the left and right sidesof the text, each font is shaped like a vase. we call it vase writing. from leftto right, it is written that the jade hall is printed with spring color, and thezhu tree has autumn fragrance.

let's continue to walk this way. you can see that this ground is notordinary. it's called "sanhetu". it was built in the middle of the qing nearly 200 years, it was covered by soil and sand about 50 cm , it was discovered that this relatively intact ground was preserved duringthe renovation of ermei library. the raw materials are sand, loess andquicklime, and glutinous rice slurry is added to achieve the purpose ofviscosity and firmness. after repeatedly hitting the base, the "sanhetu" formeda smooth and flat ground. use the rope to imprint the auspicious pattern likegrass pattern on it, which means "continuous and endless". our whole house iscalled er mei book house. in fact, the book house is only a small part in frontof us. because lin xingzhang, the owner of the house, especially likes plumtrees, he planted two plum trees in front of his book house, so he named it ermei book house. next to the library is a hole. lin xingzhang calls it the sevenstar hole. we call it the snow hole. it uses brown sugar, glutinous rice andquicklime. the biggest effect is warm in winter and cool in summer. the rockeryand xuexue cave are used as passageways in ermei architecture. in the nationalresidential buildings, the characteristic of living alone is also a typicalrepresentative of residential buildings in ming and qing dynasties infuzhou.

we know that people living in the three lanes and seven alleys have a highstatus, so each house has its own flower hall garden. next we see the flowerhall garden designed by the owner of the house. you can see that the wholegarden concentrates the beautiful scenery of fuzhou in it. aofeng and baita arebeautiful scenery of fuzhou. next to it is a 200 year old litchi tree, whichbears fruit every year. march to april is the flowering season of litchi trees,and white litchi flowers will be seen at that time.

out of the er mei bookstore, we came to ta xiang, 295 meters in length. whyis it called tower lane? do you follow the direction of my finger to see thesmall tower at the entrance of the lane? tower lane has a history of thousandsof years. as the name suggests, there was once a tower in this alley, which wasthe king of min in tang dynasty in the five dynasties, there were more than 700temples and pagodas, large and small. xie mi, the song dynasty's prefect, oncewrote: there are thousands of temples in the city, seven pagodas and tenthousand lanterns at night. the seven pagodas were one of the wonders of fuzhoucity at that time, including the present white pagoda, wuta and yuwang pagoda inthis lane. yuwang pagoda is regarded as a symbol of the prosperity of fuzhoucultural movement, but it was abandoned and disappeared in the ming dynasty. inthe qing dynasty, a pocket pagoda was set up on the gateway as a souvenir.

members of the group, due to the time constraint, this part of the tourguide's explanation comes to an end here. on behalf of all the staff of sunshinetravel agency, i would like to thank you again for your presence. at the sametime, i would like to thank you very much for your support for my work along theway. if there are any shortcomings on the way, please forgive me. i hope you cangive me valuable opinions and suggestions in the last few minutes. we willcontinue to improve the quality of service. next, i'll leave you a free y, i wish you a pleasant journey and a pleasant journey. i look forward toyour next visit. thank you.

福州三坊七巷導游詞講解篇四

dear friends: hello everyone, today we come to the first street of china -"three lanes and seven alleys", which is known as "architectural museum of mingand qing dynasties" and "living fossil of city square system" with thesignificance of national historical and cultural city fuzhou landmark. in thefirst "selection of china's top ten historical and cultural blocks" announced injune 20__, sanfang qixiang historical and cultural block, beijing guozijianstreet, pingyao south street, harbin central street, etc. jointly participatedin the election, and won the honorary title of "china's top ten historical andcultural blocks" awarded by the ministry of culture and the state administrationof cultural relics with the highest votes.

in 220__ bc, when fuzhou city was first built, it was called "yecheng". theruler was wu zhu, a descendant of gou jian. after more than two hundred years,fuzhou in the western jin dynasty had a certain scale. yan gao, the firstprefect of jin'an county, thought that the city was too small, so he built acounty city at the southern foot of pingshan mountain, which is called"zicheng". the three lanes and seven alleys originated from the expansion of thenew town by wang shenzhi, king of min in the late tang dynasty. when wangshenzhi was in power, he suspected that the original zicheng was too e the zicheng, he built "luocheng" with coin pattern bricks. it is saidthat this was the only brick city in china at that time. the south of luochengis bounded by the antai river. the north of luocheng is the political center,mostly inhabited by nobles. the south of luocheng is the civilian residentialarea and commercial area. at this time, three lanes and seven lanes become animportant area in the southwest of luocheng, and the pattern of lanes and lanesis initially formed.

today's "three lanes and seven alleys" is located in the center of fuzhoucity, adjacent to bay17 north road in the east, tonghu road in the west,yangqiao road in the north, jibi lane and guanglu square in the south, coveringan area of about 40 hectares. "three lanes" are: yijin lane, wenru lane andguanglu lane; "seven lanes" are: yangqiao lane, langguan lane, anmin lane, huanglane, ta lane, gong lane and jibi lane. with nanhou street as the central axis,they are arranged orderly from north to south, forming a "checkerboard" patternof traditional streets and lanes. in the process of urban change, jibi lane,yangqiao lane and guanglu lane have been transformed into roads. therefore,today we talk about three lanes and seven lanes, but actually there are only twolanes and five lanes.

after many years, the pattern of "three lanes and seven alleys" remainsbasically the pattern of alleys left over from the tang and song are more than 200 well preserved buildings in the ming and qing dynastiesand the republic of china. among them, there are 9 national key cultural relicsprotection units, such as shuixie stage, yan fu's former residence and shenbaozhen's former residence. it is the largest and most complete ancientarchitectural block of ming and qing dynasties preserved in the city center ofchina. "three lanes and seven alleys" embodies the characteristics of minyueancient city and the unique characteristics of fuzhou ancient houses. thearchitectural structure and materials adapt to the humid and warm climate offuzhou; the courtyard layout reflects the traditional family ethics; the gardenis exquisite and elegant, reflecting the elegant taste close to the landscape,which is described as a large-scale "museum of ancient architecture of ming andqing dynasties" by the architectural circles.

in addition to the architecture of ming and qing dynasties, what is moreamazing is the cultural heritage of three lanes and seven alleys. chen yan, amodern poet, wrote a poem and said, "who knows that the five willows aresolitary pines, but they live in three lanes and seven alleys." since theformation of jin and tang dynasty, three lanes and seven lanes have been thesettlements of nobles and literati. especially in the middle and late qingdynasty, fuzhou scholars' inherent sense of concern for the country and thepeople was more intense in the changes of the world. there emerged a group ofpeople who had an important impact on the society at that time and the processof modern chinese history. lin zexu, shen baozhen, lin xu, yan fu, lin juemin,lin shu, lin huiyin, bing xin, lu yin, yu dafu, guo huaruo, wu shi turning overthe history, you will be surprised to find that a large number of characters whoare surging up on the stage of modern china, their living backgrounds arereflected in the three lanes and seven alleys, with a remarkable number of morethan 150 people.

it can be said that three lanes and seven alleys have become the epitome offuzhou's human culture, which highlights the integration of fuzhou people'spursuit of orthodox education and pioneering spirit of marine culture. as thegathering place of fuzhou city spirit, the memorial place of fuzhou mingxianculture, the heritage place of fuzhou traditional merchant culture, and theexhibition place of fuzhou folk culture, sanfangqixiang carries the richhistorical and cultural accumulation of fuzhou city development, fully embodiesthe characteristics and value of material and intangible culture ofsanfangqixiang historical and cultural block, and is worthy of the name ofchina.

each city has its own unique historical and cultural genes, and it shouldtreasure its own cultural heritage in the process of development. fuzhou hasalso gone through detours. at the end of the last century, in the heat of oldcity reconstruction, three lanes and seven alleys faced the same danger of being"transformed". fujian province and fuzhou city adjusted their thinking in timeand terminated the original renovation projects for real estate development. inrecent years, fujian provincial party committee, fujian provincial government,fuzhou municipal party committee and fuzhou municipal government have attachedgreat importance to the protection and restoration of sanfang qixiang historicaland cultural district, and put the protection and restoration of sanfang qixiangon the important agenda. the three lanes and seven alleys have been transformedfrom development and transformation to overall protection and restoration. thegovernment investment has gradually increased, and the expenditure on protectionand restoration projects is mainly invested in people's livelihood. thetransformation of the three lanes and seven alleys has not only become aprotection project of material culture and intangible culture, but also acomfortable housing project and popular project to improve people's livingconditions.

"three lanes and seven alleys should become a living cultural heritage,"shan jixiang, director of the state administration of cultural relics, gave ahigh evaluation to the renovation project. the value of fuzhou's explorationlies in the protection of both life form and intangible cultural heritage. therestored sanfangqixiang is not a tourist area that excludes the original ecologyof the original residents, but a residential community with traditional culturalcharacteristics and a city vitality zone with unique cultural landscape. tangguozhong, the cpc fujian provincial committee and propaganda minister, saidwell: three lanes and seven alleys are the epitome of fuzhou's gathering ofpeople and culture, and the living fossil of fujian and chinese taiwan's deep successful protection is not only the wealth of fuzhou, but also the commonglory of the economic zone on both sides of the chinese taiwan strait and the west coastof the straits, which needs to be passed down from generation to generation.

福州三坊七巷導游詞講解篇五

各位團友，大家好!首先，我代表旅行社歡迎各位來到福建省省會——福州市旅游觀光。我是××旅行社的導游。我姓×，大家叫我小×或×導都行。我旁邊這位是我們的司機××師傅，這兩天都由我和××師傅為你們服務，我們會盡最大的努力。希望我們的工作能得到各位的大力支持，希望我們的服務，能使您的福州之行留下美好的回憶。

福州是一座擁有2200多年歷史的名城。唐開元十三年(725年)設福州都督府始稱福州。五代梁開平二年(908年)閩王王審知擴建城池，將風景秀麗的烏山、于山、屏山圈入城內，從此福州成為“山在城中，城在山中”的獨特城市。“三山”成了福州的別名。

福州位于福建省東部閩江下游，是全省政治、經濟、文化中心。全市總面積11968平方公里，其中市區總面積1043平方公里;總人口48o多萬，其中城區人口116萬?！耙蛑荼庇懈Ｉ健?，故名福州，又因900多年前就遍植榕樹，“綠陰滿城，暑不張蓋”，故又有“榕城”的美稱?，F轄鼓樓、臺江、倉山、馬尾、晉安五個區和福清、閩侯、羅源、連江、長樂、平潭、閩清、永泰等二市六縣。居民以漢族為主，還有畬、滿、苗、回等20多個少數民族。福州依山傍海，氣候宜人，綠樹常青，屬暖濕的亞熱帶季風氣候。年平均氣溫為19.6℃，最冷1月平均氣溫為10.5℃，最熱7月平均氣溫為28.6℃，年均降水量1 342.5毫米。最佳旅游季節為每年4～11月。市區內有聞名全國的溫泉。

各位團友，今天我講解的內容是福州明清時期古建筑瑰寶——三坊七巷。

三坊七巷地處市中心，東臨八一七北路，西靠通湖路，北接楊橋路，南達吉庇巷、光祿坊，占地約40公頃，現居民3678戶，人口14000余人。三坊七巷是南后街兩旁從北到南依次排列的十條坊巷的簡稱。三坊是：衣錦坊、文儒坊、光祿坊;七巷是楊橋巷、郎官巷、塔巷、黃巷、安民巷、宮巷、吉庇巷。由于吉庇巷、楊橋巷和光祿坊改建為馬路，現在保存的實際只有二坊五巷。即使如此，在這個歷史悠久的居民區內，仍然保留著豐富的文物古跡，保存一批名人故居和明清時代的建筑。在這居民區內，坊巷縱橫，石板鋪地;白墻青瓦，結構嚴謹;房屋精致，匠藝奇巧，集中體現了閩越古城的民居特色，是閩江文化的薈萃之所，被建筑界喻為一座規模龐大的明清古建筑博物館。

“三坊七巷”是國家歷史文化名城——福州的主要標志，被譽為明清古建筑博物館。近代詩人陳衍詩云：“誰知五柳孤松客，卻住三坊七巷間?！边@大約就是“三坊七巷”的由來。

三坊七巷的民風民俗也是福州民風民俗的代表，許多節俗活動常以三坊七巷為中心，它包括民間信仰、歲時節慶活動、建筑物中的民俗等。

“月光光，照池塘;騎竹馬，過洪塘;洪塘水深難得渡，等妹撐船來接郎。問郎長，問郎短，問郎幾時返?”這是唐朝觀察使常袞作的一首民謠。它曾給居住在三坊七巷的幾代百姓帶來多少童年的回憶。直到現在，特別是老一輩人聽到這首瑯瑯上口的民謠仍激動不已。

三坊七巷，以它近300座的明清民居古建筑物聞名于世。古老的街巷，完整的坊里，配以古河道、古橋梁、古榕樹，形成了古樸而富有特色的傳統風貌，引起了國內外許多文物考古專家的廣泛興趣，成為游客前來福州的必到之處?？梢哉f，它是“全國少見，江南僅有”。而老家在福州的海外游子，三坊七巷是他們魂牽夢繞、難以忘懷的故園鄉土。

“三坊七巷”的路，絕對是小路，也許幾百年來就是這樣小，小得只能并排走兩頂轎子吧!然而“山不在高，有仙則靈!”路不在大，有人則名。就是從這樣的小巷里，歷代走出了多少風流人物，多少英雄豪杰?他們走出幽深的坊巷，走向八閩大地，走向五湖四海，成就了一番大事業。他們為“三坊七巷”增光，“三坊七巷”也為有他們而驕傲。

三坊七巷的古建筑風貌主要表現在：石板深巷，青瓦粉墻。各式精雕細刻的門罩，風火墻式的多進院落，從高處俯視猶如海上層層波浪，那此起彼伏的萬頃波濤既無比壯觀又震撼人心。

三坊七巷不僅以它的古建筑聞名于世，它還代表了福州人重教育、好讀書的優良傳統，科舉之盛，在全國也屬罕見。南宋著名學者，被稱為與朱熹、張軾齊名的東南三賢之一的呂祖謙，在福州寫下了一首膾炙人口的詩篇：“路逢十客九青衿，半是同袍舊弟兄。最憶市橋燈火靜，巷南巷北讀書聲。”這首詩也是三坊七巷的生動寫照，說明了福州讀書人之多以及深夜苦讀的生動景象。

“三坊七巷”是福州歷史的見證;“三坊七巷”是閩江流域人民智慧的結晶;“三坊七巷”更是福州人文薈萃的縮影。它記錄了唐末五代時閩王王審知立國的史實，記錄了宋末端宗南明隆武皇帝在福州稱帝的經歷。它吹灑著辛亥革命的風雨，傳播著北京“五四”運動在福州的影響。這些坊巷內曾經居住過上百名高官顯貴、學者名流。唐著名學者黃璞，宋理學家陳襄，晚唐詩人陳烈、狀元鄭性之，明抗倭名將張經，清巡撫沈葆楨，近代啟蒙思想家嚴復等都曾在三坊七巷居住過，還有黃花崗著名烈士林覺民。說到林覺民我們不能不提到他的《與妻書》。林覺民犧牲后，全家為了避禍匿居在光祿坊早題巷一處許家院宅。一天晚上，有人悄悄地將林覺民寫給父親及妻子的遺書塞進門縫，林覺民的妻子一直將這封信珍藏到辛亥革命福州光復后。這一如詩如畫的名篇寫得情真意切，感人肺腑，催人淚下，不僅表達了夫妻間深深的歉疚和殷殷的情意，而且表達了“樂犧牲吾身與汝身之福利，為天下謀永福"的革命精神和偉大情懷，激勵了千千萬萬的熱血青年，具有極為珍貴的歷史價值和藝術價值。

《與妻書》中也十分細膩地表達了烈士對故里“三坊七巷”的眷戀之情，有一段是這樣描寫的：“后街之屋，入門穿廊，過前后廳，又三四折，有小廳，廳旁一屋，為吾與汝雙棲之所，初婚三四個月，適冬之望日前后，窗外疏梅篩月影，依稀掩映……”看到這，我們怎能不為烈士犧牲前對親人和美麗家園——“三坊七巷’’深深眷戀之情所震撼呢!誰沒有親人，誰沒有自己的家園?可林覺民卻英勇奮戰，在負傷被捕受審時仍表示：“只要革除暴政，建立共和，能使國家富強則吾死瞑目矣。”這就是革命者的博大情懷!

“最憶市橋燈火靜，巷南巷北讀書聲”，讓我們再一次感悟到故鄉“三坊七巷”古老厚重的文化對我們的培養和熏陶。眷戀之情，有一段是這樣描寫的：“后街之屋，入門穿廊，過前后廳，又三四折，有小廳，廳旁一屋，為吾與汝雙棲之所，初婚三四個月，適冬之望日前后，窗外疏梅篩月影，依稀掩映……”看到這，我們怎能不為烈士犧牲前對親人和美麗家園——“三坊七巷”深深眷戀之情所震撼呢!誰沒有親人，誰沒有自己的家園?可林覺民卻英勇奮戰，在負傷被捕受審時仍表示：“只要革除暴政，建立共和，能使國家富強則吾死瞑目矣?！边@就是革命者的博大情懷!

“最憶市橋燈火靜，巷南巷北讀書聲”，讓我們再一次感悟到故鄉“三坊七巷”古老厚重的文化對我們的培養和熏陶。

各位團友，“三坊七巷”的講解就到這里。我們集合的時間是×時×分，各位朋友可以在附近自由活動、照相，我們準時在這里集中上車，謝謝大家。

福州三坊七巷導游詞講解篇六

各位游客：

福州至今還保存相當一部分自唐宋以來就已經形成的坊巷，成為歷史文化名城的重要標志之一。

“三坊七巷”的“三坊”，系指衣錦坊、文儒坊和光祿坊。三坊均位于南后街之西側，隔街與東側之“七巷”相通.

衣錦坊，舊名通潮巷。宋代宣和年間(1119—1120xx年)陸蘊、陸藻兄弟居于此地，兩兄弟才華橫送，名重一時。陸蘊官任福州知州，陸藻官任泉州知州，兩人回鄉時命此坊為“棣錦坊”。南宋淳熙年間(1174—1189年)，王益樣任江東提刑，退休后也居于此地，將棣錦改名為衣錦，以示衣錦返鄉之意。

文儒坊，舊名山陰巷，初名儒林坊，以宋代祭酒鄭穆居于此，改為文儒坊。因為坊里除了鄭穆之外，還先后住有九門提督、中國臺灣總兵甘國寶，抗倭名將、七省經略張經，清光緒皇帝老師陳寶琛之父陳承裘，《福建通志》主編陳衍等儒林名士，故稱儒林坊名符其實。

光祿坊，北宋熙寧元年(1068年)以光祿大夫身份任福州知州的程師孟，常到坊里的法禪寺游覽，見池畔有一塊大巖石，便登石吟詩，故被稱為“光祿吟臺”，而此坊也改名為光祿坊。程師孟題吟的“光祿吟臺”四個篆字石刻今尚存。

福州三坊七巷導游詞講解篇七

各位游客：

福州至今還保存相當一部分自唐宋以來就已經形成的坊巷，成為歷史文化名城的重要標志之一。

“三坊七巷”的“三坊”，系指衣錦坊、文儒坊和光祿坊。三坊均位于南后街之西側，隔街與東側之“七巷”相通.

福州三坊七巷導游詞講解篇八

“三坊七巷” 歷經許多年，格局依舊，基本保留著唐宋遺留下來的坊巷格局，保存較為完好的明清民國建筑計200多座，其中水榭戲臺、嚴復故居、沈葆楨故居等全國重點文物保護單位有9處，是中國目前在市中心保留的規模最大、最完整的明清古建筑街區。“三坊七巷”體現了閩越古城的民居特色，體現福州古名居特有的時代特征和地域特色。建筑結構布局、建筑用材上適應福州潮濕溫熱的氣候特點;院落庭院布局上體現傳統家族倫理觀念;園林精巧雅致，體現親近山水的風雅情趣，被建筑界喻為一座規模龐大的“明清古建筑博物館”。

除明清時代的建筑外，更令人驚嘆的是三坊七巷的文化底蘊。近代詩人陳衍作詩提到：“誰知五柳孤松客，卻住三坊七巷間?！比黄呦镒詴x、唐代形成起，便是貴族和士大夫的聚居地。特別是到了清代中后期，福州士子固有的憂國憂民意識在世道變遷之中表現得更加強烈。這里涌現出一批對當時社會乃至中國近現代史進程產生重要影響的人物。林則徐、沈葆楨、林旭、嚴復、林覺民、林紓、林徽因、冰心、廬隱、郁達夫、郭化若、吳石……翻動歷史，你會驚奇地發現，一大串在中國近現代舞臺上風起云涌的人物，他們的生活背景都或多少映現在三坊七巷，可圈可點的達150多人之眾。

可以說，三坊七巷成為福州人文薈萃的縮影，凸顯著福州人追求正統教化的人文性格與開拓進取的海洋文化精神的相互融合。作為福州城市精神集結地、福州名賢文化紀念地、福州傳統商賈文化傳承地、福州民俗文化展示地，三坊七巷承載了福州城市發展豐富的歷史文化積淀，充分體現三坊七巷歷史文化街區物質與非物質文化的特色與價值，是名符其實的中國名片。

每個城市都有獨特的歷史文化基因，城市在發展過程中要格外珍惜自己的文化遺產。福州也曾走過彎路。上世紀末，全國舊城改造熱中，三坊七巷也曾面臨相同的被“改造”危險。福建省、福州市及時調整思路，終止了用于房地產開發的原有改造項目。近年來，福建省委、省政府和福州市委、市政府高度重視三坊七巷歷史文化街區的保護修復工作，將保護修復福州三坊七巷工作提上重要議事日程。三坊七巷由開發、改造轉為整體保護、修復，政府投入逐步加大，保護修復工程支出主要投向民生，使三坊七巷的改造不僅成為物質文化和非物質文化的保護工程，更是改善市民的居住條件、生活條件的安居工程、民心工程。

“三坊七巷要成為活態的文化遺產”國家文物局局長單霽翔給予三坊七巷修復改造工程很高的評價。福州市的探索之可貴，在于同時保護生活形態和非物質文化遺產。修復后的三坊七巷不是排斥了原有居民原生態的旅游區，而是將三坊七巷打造成保持傳統文化特色的居住社區，成為具有獨特文化景觀的城市活力地帶。中共福建省委常委、宣傳部長唐國忠說的好：三坊七巷是福州人文薈萃的縮影，閩臺深厚淵源活化石，她的成功保護不僅僅是福州的財富，更是海峽兩岸、海西經濟區的共同榮耀，需要世世代代傳承下去。

楊橋巷

現在我們首先來到的是七巷中最北面的一條巷——楊橋巷。楊橋巷古名登俊坊，因西能通楊橋而改名。民國時因城市建設需要，被擴建為馬路，由巷變成了路，很自然路名就定為楊橋路。舊時楊橋巷東頭南面有“中國臺灣林”大院，因為這個大院就有海峽兩岸的一段佳話。陳寶琛在光緒十二年(1886年)訪臺時，結識了中國臺灣板橋林氏家族的林維源，促成了他的二妹陳芷芳與板橋林家結親，陳芷芳嫁給了林維源的侄子林爾康。甲午海戰后，林爾康攜妻帶子渡海來到福州，在楊橋巷建樓蓋屋定居，林爾康女兒林慕蘭，嫁給了嚴復的三公子嚴叔夏為妻。嚴叔夏1952年至1956年曾任過福州市副市長。嚴復的孫女嚴倬云和嚴停云都是響譽中國臺灣婦女界的名人。嚴停云以姑姑華嚴的姓名為筆名，創作了大量散文，是中國臺灣當代著名的女作家。嚴倬云是著名的社會活動家，嫁給后任中國臺灣?；鶗麻L的辜振甫。辜振甫先生因“汪辜會談”而載入史冊。嚴倬云從小在福州長大，后到上海讀書十幾年，再后就隨母去了中國臺灣。人們從上面的史實，不難看出海峽兩岸千絲萬縷的源緣關系，兩岸本是一家人。

福州三坊七巷導游詞講解篇九

各位團友，今天我講解的內容是福州明清時期古建筑瑰寶——三坊七巷。

三坊七巷的民風民俗也是福州民風民俗的代表，許多節俗活動常以三坊七巷為中心，它包括民間信仰、歲時節慶活動、建筑物中的民俗等。

福州三坊七巷導游詞講解篇十

各位游客：

福州至今還保存相當一部分自唐宋以來就已經形成的坊巷，成為歷史文化名城的重要標志之一。

“三坊七巷”的“三坊”，系指衣錦坊、文儒坊和光祿坊。三坊均位于南后街之西側，隔街與東側之“七巷”相通.

福州三坊七巷導游詞講解篇十一

大家好！一路辛苦了！首先，我代表旅行社歡迎各位來到福建省會———福州市旅游觀光。我是中旅的導游。我姓×，大家叫我小×或×導都行。我旁邊這位是我們的司機陳師傅，這兩天都由我和陳師傅為你們服務，我們會盡最大的努力。希望我的工作能得到各位的大力支持，希望我們的服務，能使您的福州之行留下美好的回憶。

福州是一座擁有2200多年歷史的名城。唐開元十三年設福州都督府始稱福州。五代梁開平二年閩王王審知擴建城池，將風景秀麗的烏山、于山、屏山圈入城內，從此福州成為“山在城中，城在山中”的獨特城市?！叭健背闪烁Ｖ莸膭e名。

福州位于福建省東部閩江下游，是全省政治、經濟、文化中心。全市總面積11.968平方公里，其中市區總面積1043平方公里；總人口480多萬，其中城區人口116萬?！耙蛑荼庇懈Ｉ健?，故名福州，又因九百多年前就遍植榕樹，“綠蔭滿城，暑不張蓋”，故又有“榕城”的美稱?，F轄鼓樓、臺江、倉山、馬尾、晉安五個區和福清、閩侯、羅源、連江、長樂、平潭、閩清、永泰等二市六縣。居民以漢族為主，還有畬、滿、苗、回等二十多個少數民族。福州依山傍海，氣候宜人，綠樹長青，屬暖濕的亞熱帶季風氣候。年平均氣溫為19.6℃，最冷一月平均氣溫為10.5℃，最熱七月平均氣溫28.6℃，年均降水量1342.5毫米。最佳旅游季節為每年4—11月。市區內有聞名全國的溫泉。

各位團友，今天我講解的內容是福州明清時期古建筑瑰寶————三坊七巷。

三坊七巷地處市中心，東臨八一七北路，西靠通湖路，北接楊橋路，南達吉庇巷、光祿坊，占地約40公頃，現居民3678戶，人口14000余人。三坊七巷是南后街兩旁從北到南依次排列的十條坊巷的簡稱。三坊是：衣錦坊、文儒坊、光祿坊；七巷是楊橋巷、郎官巷、塔巷、黃巷、安民巷、宮巷、吉庇巷。由于吉庇巷、楊橋巷和光祿坊改建為馬路，現在保存的實際只有二坊五巷。即使如此，在這個歷史悠久的居民區內，仍然保留著豐富的文物古跡，保存一批名人故居和明清時代的建筑。在這居民區內，坊巷縱橫，石板鋪地；白墻青瓦，結構嚴謹；房屋精致，匠藝奇巧，集中體現了閩越古城的民居特色，是閩江文化的薈萃之所，被建筑界喻為一座規模龐大的明清古建筑博物館。

“三坊七巷”是國家歷史文化名城————福州的主要標志，被譽為明清古建筑博物館。近代詩人陳衍詩云：“誰知五柳孤松客，卻住三坊七巷間。”這大約就是“三坊七巷”的由來。

三坊七巷的民風民俗也是福州民風民俗的代表，許多節俗活動中心常集中在三坊七巷，它包括民間信仰、歲時節慶活動、建筑物中的民俗等。

“月光光，照池塘；騎竹馬，過洪塘；洪塘水深難得渡，等妹撐船來接郎。問郎長，問郎短，問郎幾時返？”這是唐朝觀察使常袞作的一首民謠。它曾給居住在三坊七巷的幾代百姓帶來多少童年的回憶。直到現在，特別是老一輩人聽到這首瑯瑯上口的民謠仍激動不已。

三坊七巷，以她近三百座的明清民居古建筑物聞名于世。古老的街巷，完整的坊里，配以古河道、古橋梁、古榕樹，形成了古樸而富有特色的傳統風貌，引起了國內外許多文物考古專家的廣泛興趣，成為游客前來福州的必到之處。可以說，她是“全國少見，江南僅有”。而老家在福州的海外游子，三坊七巷是他們魂牽夢繞、難以忘懷的故園鄉土。

“三坊七巷”的路，絕對是小路，也許幾百年來就是這樣小，小得只能并排走兩頂轎子吧！然而“山不在高，有仙則靈！”路不在大，有人則名。就是從這樣的小巷里，歷代走出了多少風流人物，多少英雄豪杰？他們走出幽深的坊巷，走向八閩大地，走向五湖四海，成就了一番大事業。他們為“三坊七巷”增光，“三坊七巷”也為有他們而驕傲。

三坊七巷的古建筑風貌主要表現在：石板深巷，青瓦粉墻，各式精雕細刻的門罩，風火墻式的多進院落，從高處府視猶如海上層層波浪，那此起彼落的萬傾波濤既無比壯觀又震撼人心。

三坊七巷不僅以她的古建筑聞名于世，她還代表了福州人重教育，好讀書的優良傳統，科舉之盛，在全國也屬罕見。南宋著名學者，被稱為與朱熹、張軾齊名的東南三賢之一的呂祖謙，在福州寫下了一首膾炙人口的詩篇：“路逢十客九青矜，半是同袍舊弟兄。最憶市橋燈火靜，巷南巷北讀書聲?！边@首詩也是三坊七巷的生動寫照，說明了福州讀書人之多，以及深夜苦讀的生動景象。

“三坊七巷”是福州歷史的的見證；“三坊七巷”是閩江流域人民智慧的結晶；“三坊七巷”更是福州人文薈萃的縮影。它記錄了唐末五代時閩王王審知立國的史實，記錄了宋末端宗南明隆武皇帝在福州稱帝的經歷。它吹灑著辛亥革命的風雨，傳播著北京“五四”運動在福州的影響。這些坊巷內曾經居住過上百名高官顯貴、學者名流，唐著名學者黃璞，宋理學家陳襄、晚唐詩人陳烈、狀元鄭性之、明抗倭名將張經、清巡撫沈葆楨、近代啟蒙思想家嚴復等等都曾在三坊七巷居住過，還有黃花崗著名烈士林覺民。

福州三坊七巷導游詞講解篇十二

各位游客：

福州至今還保存相當一部分自唐宋以來就已經形成的坊巷，成為歷史文化名城的重要標志之一。

“三坊七巷”的“三坊”，系指衣錦坊、文儒坊和光祿坊。三坊均位于南后街之西側，隔街與東側之“七巷”相通.

“三坊七巷”中的七巷均位于南后街之東側，由北向南分別為楊橋巷、郎官巷、塔巷、黃巷、安民巷、宮巷、吉庇巷。

福州三坊七巷導游詞講解篇十三

福州至今還保存相當一部分自唐宋以來就已經形成的坊巷，成為歷史文化名城的重要標志之一。

“三坊七巷”的“三坊”，系指衣錦坊、文儒坊和光祿坊。三坊均位于南后街之西側，隔街與東側之“七巷”相通。

衣錦坊，舊名通潮巷。宋代宣和年間（1119—1125年）陸蘊、陸藻兄弟居于此地，兩兄弟才華橫送，名重一時。陸蘊官任福州知州，陸藻官任泉州知州，兩人回鄉時命此坊為“棣錦坊”。

文儒坊，舊名山陰巷，初名儒林坊，以宋代祭酒鄭穆居于此，改為文儒坊。因為坊里除了鄭穆之外，還先后住有九門提督、寶島總兵甘國寶，抗倭名將、七省經略張經，清光緒皇帝老師陳寶琛之父陳承裘，《福建通志》主編陳衍等儒林名士，故稱儒林坊名符其實。

光祿坊，北宋熙寧元年（1068年）以光祿大夫身份任福州知州的程師孟，常到坊里的法禪寺游覽，見池畔有一塊大巖石，便登石吟詩，故被稱為“光祿吟臺”，而此坊也改名為光祿坊。程師孟題吟的“光祿吟臺”四個篆字石刻今尚存。

“三坊七巷”中的七巷均位于南后街之東側，由北向南分別為楊橋巷、郎官巷、塔巷、黃巷、安民巷、宮巷、吉庇巷。

福州三坊七巷導游詞講解篇十四

大家好，我是你們的導游，我叫鄭嶸，你們可以叫我小鄭。今天我將帶領大家游覽世界有名的五a級景區——三坊七巷。

? 這是大名鼎鼎的三坊七巷，它被人們譽為明清古建筑博物館。三坊七巷占地約38.35平方公頃。其三坊是衣錦坊、文儒坊、光祿坊。七巷分別是楊橋巷、朗官巷、塔巷、黃巷、安民巷、宮巷、吉庇巷。

大家跟我來?，這是衣錦坊。到了衣錦坊，我就要給大家說一個故事。相傳，古代有一位書生，才高八斗，可次次應試都名落孫山，街坊鄰居都看不起他。后來，他終于考中了進士，做了官。晚年衣錦還鄉，其地就叫衣錦坊。?

大家再看看這朗官巷，朗官巷是宋代有名的坊埠，因宋代劉濤居住在此，子孫數代皆為朗官。故名叫朗官巷。

你們瞧，這是宮巷里的沈葆楨故居。他于道光20xx年中舉人，過了七年中了進士。他是林則徐的次婿，是清代第一任船政大臣。

? 現在，我們要求品嘗一下福州的特色小吃——魚丸。魚丸是我們福州的美食亮點。那白白的魚丸皮，像棉花一樣軟軟的，咬一小口，肉的香味撲鼻而來，味道香濃，就是你一點兒也不想吃，也會被那香氣迷住。

時間過得真快，到了自由活動的時間了，我們可以自由玩耍，記住1小時后在這里集合，請您注意以下幾點：

1.請不要亂扔垃圾

2.請不要亂刻亂畫

3.請不要折花

4.請不要爬樹

希望您能做到，謝謝!

福州三坊七巷導游詞講解篇十五

各位朋友：大家好，今天我們來到了有國家歷史文化名城福州地標意義的“明清建筑博物館”、“城市里坊制度的活化石”之稱的中華第一街——“三坊七巷”參觀游覽。在20xx年6月揭曉的首屆“中國十大歷史文化名街區評選”中，三坊七巷歷史文化街區與北京國子監街、平遙南大街、哈爾濱中央大街等共同參選，以最高票獲得文化部、國家文物局授予的“中國十大歷史文化名街”榮譽稱號。

公元前220xx年，福州城初建時，稱“冶城”，統治者是勾踐的后裔無諸。過了兩百多年，西晉時期的福州已經稍有規模了。晉安郡首任太守嚴高嫌城太小，便在今屏山南麓建成一座郡城，稱為“子城”。三坊七巷源于唐末閩王王審知擴建新城。王審知當政時，嫌原有子城太小，在子城外以錢紋磚砌筑起“羅城”，據說這是當時全國唯一的磚城。羅城南面以安泰河為界，城北是政治中心，多為貴族居住;城之南為平民居住區及商業區，也就是在此時，三坊七巷成為羅城西南的重要區域，坊巷格局初步形成。

今天的“三坊七巷”地處福州市中心，東臨八一七北路，西靠通湖路，北接楊橋路，南達吉庇巷、光祿坊，占地約40公頃?！叭弧笔牵阂洛\坊、文儒坊、光祿坊;“七巷”是：楊橋巷、郎官巷、安民巷、黃巷、塔巷、宮巷、吉庇巷，以南后街為中心軸線從北到南排列整齊，縱向有序，形成“棋盤狀”的傳統街巷格局。在城市變遷過程中，吉庇巷、楊橋巷和光祿坊被改建為馬路，因此：我們今天講三坊七巷實際只有二坊五巷。

“三坊七巷” 歷經許多年，格局依舊，基本保留著唐宋遺留下來的坊巷格局，保存較為完好的明清民國建筑計200多座，其中水榭戲臺、嚴復故居、沈葆楨故居等全國重點文物保護單位有9處，是中國目前在市中心保留的規模最大、最完整的明清古建筑街區?！叭黄呦铩斌w現了閩越古城的民居特色，體現福州古名居特有的時代特征和地域特色。建筑結構布局、建筑用材上適應福州潮濕溫熱的氣候特點;院落庭院布局上體現傳統家族倫理觀念;園林精巧雅致，體現親近山水的風雅情趣，被建筑界喻為一座規模龐大的“明清古建筑博物館”。

“三坊七巷要成為活態的文化遺產”國家文物局局長單霽翔給予三坊七巷修復改造工程很高的評價。福州市的探索之可貴，在于同時保護生活形態和非物質文化遺產。修復后的三坊七巷不是排斥了原有居民原生態的旅游區，而是將三坊七巷打造成保持傳統文化特色的居住社區，成為具有獨特文化景觀的城市活力地帶。中共福建省委、宣傳部長唐國忠說的好：三坊七巷是福州人文薈萃的縮影，閩臺深厚淵源活化石，她的成功保護不僅僅是福州的財富，更是海峽兩岸、海西經濟區的共同榮耀，需要世世代代傳承下去。

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